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As University of Missouri seniors graduated Sunday, The All-American Rejects played the latest in a series of pop-up shows they’ve been doing — at people’s houses.
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Several arts and culture organizations in St. Louis suffered tornado damage but are rebuilding and moving forward with help from their supporters.
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For years, a St. Louis band with an unlikely background has been making music inspired by monsters and death.
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St. Louis Symphony Orchestra is collaborating with adapter Bill Barclay on a reimagined take on Henrik Ibsen’s 1867 play “Peer Gynt” and composer Edvard Grieg’s iconic score, which includes some of the most well-known music in the world.
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The fifth iteration of the Music at the Intersection festival will include headliners Common, Patti LaBelle, De La Soul and Branford Marsalis, plus pop-up presentations and performances around Midtown.
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Evolution Festival returns to Forest Park for its third year. The event will include performances by TLC, Father John Misty and the Hives.
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On “Tropical Disco,” the St. Louis band debuts an evolution from synth-heavy ’80s pop to galactic disco. Starwolf will bring that fresh sound to the Duck Room on February 2 when it opens for singer Donny Benet.
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Graham Nash is touring behind his first solo album in seven years. After the breakup of Crosby, Stills and Nash, he sees renewed relevance in his classic songs and expresses a sense of renewed purpose in his latest work.
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Erin Freeman, a choral director and conductor based in Washington, D.C., will become the third-ever leader of St. Louis Symphony Chorus. Predecessor Amy Kaiser retired in 2022 after 27 years at the helm.
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Gateway Studios & Production Services in Chesterfield has worked on 40 tours in recent years, including outings by jam kings Phish and high-flying contender Goose. One recent day at the Factory reveals the work that goes on before a band can take the stage.