Repertory Theatre of St. Louis

Sharif said she’s looking forward to her new role at Arena Stage in Washington, D.C.

The Repertory Theatre of St. Louis will be just the third theater company to present Dominique Morisseau’s “Confederates,” a time-hopping dark comedy about the burdens placed on Black women.

"Chicago," "Jersey Boys" and "King Lear" received the most nominations from the St. Louis Theater Circle. Read the full list of nominees before the group's award ceremony on March 28.

More than 100 St. Louis area arts institutions are calling on St. Louis and St. Louis County officials to use federal coronavirus relief funding to help support the arts.

“The Gradient,” which premieres at the Repertory Theatre of St. Louis on Friday, is playwright Steph Del Rosso’s attempt to deal with the thorny questions surrounding men accused of sexual misconduct — and the startup culture that attempts to commodify everything in modern America.

Somi Kakoma discusses “Dreaming Zenzile,” the musical she wrote and starred in, which just had its world premiere at the Repertory Theatre of St. Louis. The play tells the story of South African singer Miriam Makeba.

During a 33-year tenure as artistic director of the Repertory Theatre of St. Louis, Steven Woolf helped boost the theater's national reputation.

The beloved children's book "The Snowy Day" is now “The Glowy Snowy Day,” a pandemic-safe drive-thru puppet experience. The Repertory Theatre of St. Louis' Adena Varner explained the impetus for this joint production with Kansas City-based StoneLion Puppet Theatre, which opens soon on the campus of Webster University.

The Repertory Theatre of St. Louis has some big news today: an acclaimed new playwright in residence. She’s a Golden Globe award winner and a two time Emmy nominee. And thanks to a grant from the Andrew W. Mellon Foundation, she’ll be working in St. Louis for the next three years.

Monty Cole’s new play, "Black Like Me,” grapples with John Howard Griffin’s book of the same name, a memoir by a white journalist who posed as a Black man in the Deep South in 1959. Cole has said, “If the original book was an Idiot’s Guide to Being a Good Ally in 1961, the play is an Idiot’s Guide to Being a Good Ally in 2020.”